Aramis Navarro

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	<title>Aramis Navarro</title>
	<link>https://aramisnavarro.com</link>
	<description>Aramis Navarro</description>
	<pubDate>Tue, 14 Jul 2026 09:23:59 +0000</pubDate>
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		<title>Index</title>
				
		<link>https://aramisnavarro.com/Index</link>

		<pubDate>Sun, 12 Nov 2023 13:08:56 +0000</pubDate>

		<dc:creator>Aramis Navarro</dc:creator>

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		<description>


        Babelibabibliotheca // upcoming exhibition at Doppelganger Gallery, opening 11.September 2026 1800, Marktplatz 12 St.Gallen!!!!!!!!!!
        
    
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		<title>ratking</title>
				
		<link>https://aramisnavarro.com/ratking</link>

		<pubDate>Wed, 23 Jul 2025 15:47:49 +0000</pubDate>

		<dc:creator>Aramis Navarro</dc:creator>

		<guid isPermaLink="true">https://aramisnavarro.com/ratking</guid>

		<description>
	ratking

&#60;img width="960" height="752" width_o="960" height_o="752" data-src="https://freight.cargo.site/t/original/i/ca083e905eec274dd878513fb1f0a0306253cf743c3241879f2d08202b8e9d3e/960px-Rattenkonig_c1683.jpg" data-mid="238944123" border="0"  src="https://freight.cargo.site/w/960/i/ca083e905eec274dd878513fb1f0a0306253cf743c3241879f2d08202b8e9d3e/960px-Rattenkonig_c1683.jpg" /&#62;Friedrich Wilhelm Schmuck, 1683


	«ratking» 2025
cables, eggs
Ratking reinterprets the historical superstition of rats bound together by their tails—a traditional symbol of bad omens—into a site of potential. Constructed as a nest of cables where eggs are laid and hatched, it transforms what was once feared as a sign of misfortune into a metaphor for hope.


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Kunsthalle Sankt Gallen, algorithmic-mega-death-superspell.exe, 2025


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poem – Chicken feet and Palo Santo
when earphone cables knot like ratkings
when algorithms chant like black spells
my dad used to say
a black cat crossing the street&#38;nbsp;
only casts a bad omen
when its direction was
from left to rightlike the shift that’s happening
in front of our minds eyesjust nobody noticed
the pivotal moment in history
where magic became realeverybody walks&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; walks &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; walks
&#38;nbsp; &#38;nbsp; with a wand
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; o &#38;nbsp;u&#38;nbsp; &#38;nbsp;r &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; na &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; d&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; the corn &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; e &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; r &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; .may the only offering today &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; be&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; to unknot &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; and plug in.


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	<item>
		<title>menschchmal</title>
				
		<link>https://aramisnavarro.com/menschchmal</link>

		<pubDate>Sun, 12 Nov 2023 13:08:59 +0000</pubDate>

		<dc:creator>Aramis Navarro</dc:creator>

		<guid isPermaLink="true">https://aramisnavarro.com/menschchmal</guid>

		<description>
	Menschchmal
	«Menschchmal» 2023 film with audio, 2'01"
A short film based on a conversation with a text based AI about gender-inclusive language. The dialogue exposes the limits of neutrality in machine learning, showing how even supposedly neutral systems revert to coded biases,&#38;nbsp; trained on past texts these sytems subtly reproduce old patterns of thought. History lingers in the code—echoing through the supposed future in ways we barely notice. The work highlights the friction at the human-machine threshold, pointing to a potential source of error when equality is programmed into systems shaped by historical bias—and suggesting that many such hidden sources remain embedded and unnoticed.
︎ message to get a link


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filmstill</description>
		
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		<title>trinity</title>
				
		<link>https://aramisnavarro.com/trinity</link>

		<pubDate>Fri, 19 Sep 2025 07:30:07 +0000</pubDate>

		<dc:creator>Aramis Navarro</dc:creator>

		<guid isPermaLink="true">https://aramisnavarro.com/trinity</guid>

		<description>
	trinity
	«trinity» &#38;nbsp;2025
neon

Trinity is a neon installation spelling ai ai ai. The work frames artificial intelligence as a quasi-divine presence, reflecting its growing role as an authority in society. The repetition evokes both alert and devotion, pointing AI’s capacity to capture attention while operating as an invisible system.


&#60;img width="691" height="1063" width_o="691" height_o="1063" data-src="https://freight.cargo.site/t/original/i/fc23510f92c311bb173063cfa7193031a313a072f89e461865c78c6c4578cb86/Aramis-Navarro-39-low.jpg" data-mid="238419414" border="0"  src="https://freight.cargo.site/w/691/i/fc23510f92c311bb173063cfa7193031a313a072f89e461865c78c6c4578cb86/Aramis-Navarro-39-low.jpg" /&#62;Aramis Navarro, «algorithmic-mega-death-superspell.exe», Ausstellungsansicht, 2025. Photo: Kunst Halle Sankt Gallen, E. Sommer.
</description>
		
	</item>
		
		
	<item>
		<title>Inflected-introspection</title>
				
		<link>https://aramisnavarro.com/Inflected-introspection</link>

		<pubDate>Sun, 12 Nov 2023 13:08:57 +0000</pubDate>

		<dc:creator>Aramis Navarro</dc:creator>

		<guid isPermaLink="true">https://aramisnavarro.com/Inflected-introspection</guid>

		<description>
	Inflected Introspection
	II «Inflected Introspection»&#38;nbsp; 2019–ongoing
paper, ink, pigments, resinIn Inflected Introspection, language becomes both material and method. The work begins with typed reflections—daily thoughts, concepts, and observations—archived on recycled studio paper. These fragments are later preserved in resin, echoing the logic of amber fossils (inclusives). In Ancient Greece, amber was known as electron, a substance thought to store energy and memory. This notion stands in contrast to the analog approach of preservation in the work. Accidental marks, sketches, or notes from the reverse side emerge through the process, layering meaning and disrupting intent. What begins as a note becomes something else entirely, raising questions about when a thought transitions into matter—at its inception, through its repetition, or in the act of preservation itself.︎ Text by Nadia Veronese, visuell-verbale Sprach-Bilder

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Photography Daniel Ammann, Heimspiel 2021, Kunstmuseum St.Gallen

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</description>
		
	</item>
		
		
	<item>
		<title>useless eater</title>
				
		<link>https://aramisnavarro.com/useless-eater</link>

		<pubDate>Tue, 13 May 2025 09:30:27 +0000</pubDate>

		<dc:creator>Aramis Navarro</dc:creator>

		<guid isPermaLink="true">https://aramisnavarro.com/useless-eater</guid>

		<description>
	useless eater
	«useless eater» 2025
photography, acrylic, ink on cardboard
poem –&#38;nbsp;a doves flapping wing 
carryinga letter rolled like a ring

You won’t believe this.&#38;nbsp; &#38;nbsp; 
The solution to 99% of your problems.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Do this before 7 o’clock in the morning.
What they don’t want you to know...
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Street pigeons only shapeshifted&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; when unemployed.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; so...&#38;nbsp; &#38;nbsp; me and you&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; might also turn to
Useless Eaters&#38;nbsp; &#38;nbsp; 
Useless Eaters &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Useless Eaters


&#60;img width="1484" height="1978" width_o="1484" height_o="1978" data-src="https://freight.cargo.site/t/original/i/1faf354ec53f64c0a2719110ba7030d235b8eac781a5daaac91d9719974dfaa1/UE_04_low.jpg" data-mid="233131150" border="0"  src="https://freight.cargo.site/w/1000/i/1faf354ec53f64c0a2719110ba7030d235b8eac781a5daaac91d9719974dfaa1/UE_04_low.jpg" /&#62;

	&#60;img width="1550" height="2066" width_o="1550" height_o="2066" data-src="https://freight.cargo.site/t/original/i/81918b48ca162fce5a614b5cb642172b642cc2f5faafa4d4e95ec784ccba8201/UE_03_low.jpg" data-mid="233131148" border="0"  src="https://freight.cargo.site/w/1000/i/81918b48ca162fce5a614b5cb642172b642cc2f5faafa4d4e95ec784ccba8201/UE_03_low.jpg" /&#62;
	&#60;img width="1556" height="2075" width_o="1556" height_o="2075" data-src="https://freight.cargo.site/t/original/i/98c7cc80430416bf489fae5295f03ef2c79fb576261ac5c97c7d3d71ed84eb6f/UE_01_low.jpg" data-mid="233131151" border="0"  src="https://freight.cargo.site/w/1000/i/98c7cc80430416bf489fae5295f03ef2c79fb576261ac5c97c7d3d71ed84eb6f/UE_01_low.jpg" /&#62;
&#60;img width="1653" height="1239" width_o="1653" height_o="1239" data-src="https://freight.cargo.site/t/original/i/3b3ae2b8cec7e8c5fc662497e102dadf8db780f866c6219373f8cb99ea46a831/UE_02_low.jpg" data-mid="233131149" border="0"  src="https://freight.cargo.site/w/1000/i/3b3ae2b8cec7e8c5fc662497e102dadf8db780f866c6219373f8cb99ea46a831/UE_02_low.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>RhizomesHyperSanctum</title>
				
		<link>https://aramisnavarro.com/RhizomesHyperSanctum</link>

		<pubDate>Wed, 18 Jun 2025 07:01:52 +0000</pubDate>

		<dc:creator>Aramis Navarro</dc:creator>

		<guid isPermaLink="true">https://aramisnavarro.com/RhizomesHyperSanctum</guid>

		<description>
	RHS
	«RhizomesHyperSanctum» 2025
mixed media
RhizomesHyperSanctum is conceived as a tribute—a place of worship for the invisible architecture of cyberspace. It’s a conceptual sanctuary for the systems that penetrates us, not spiritually but systemically.

The scaffold is skeletal, see-through—offering no shelter, only a frame. It stands for the hyper room: a networked zone we can’t touch, but that touches us constantly. Accessed not through the biological body but through the extensions of it. The installation gives form to a metaphysical condition: we live inside systems that we cannot see, but still believe in. The sanctum is not about faith in the divine, but about our quiet submission to the coded logics we’ve come to trust.


	&#60;img width="1063" height="703" width_o="1063" height_o="703" data-src="https://freight.cargo.site/t/original/i/1a542ae1b3134cba2bd5ca15c5fc893f87f89ddfc80bd9d16f8b74ae35f486a7/KHSG_03_AramisNavarro_2025_low.jpg" data-mid="234718206" border="0"  src="https://freight.cargo.site/w/1000/i/1a542ae1b3134cba2bd5ca15c5fc893f87f89ddfc80bd9d16f8b74ae35f486a7/KHSG_03_AramisNavarro_2025_low.jpg" /&#62;


	&#60;img width="1063" height="709" width_o="1063" height_o="709" data-src="https://freight.cargo.site/t/original/i/b9b13a64ddf189bbdb0289615befd21ba59c3222af8b2f33dbe27caa73ac9c5e/KHSG_04_AramisNavarro_2025_low.jpg" data-mid="234718207" border="0"  src="https://freight.cargo.site/w/1000/i/b9b13a64ddf189bbdb0289615befd21ba59c3222af8b2f33dbe27caa73ac9c5e/KHSG_04_AramisNavarro_2025_low.jpg" /&#62;


&#60;img width="1063" height="710" width_o="1063" height_o="710" data-src="https://freight.cargo.site/t/original/i/211b426e0cee14646ef997f1542579aff970b207b024e024d8ce334341763147/KHSG_02_AramisNavarro_2025_low.jpg" data-mid="234718205" border="0"  src="https://freight.cargo.site/w/1000/i/211b426e0cee14646ef997f1542579aff970b207b024e024d8ce334341763147/KHSG_02_AramisNavarro_2025_low.jpg" /&#62;Aramis Navarro, «algorithmic-mega-death-superspell.exe», Ausstellungsansicht, 2025. 
Photo: Kunst Halle Sankt Gallen, E. Sommer.

&#60;img width="850" height="1277" width_o="850" height_o="1277" data-src="https://freight.cargo.site/t/original/i/91038b20f3e1ed4c1a6b9c09ad3f6d4cc6f52accca9611bf899bb8f6db9a4bb5/router-KH-02-low.jpg" data-mid="236094798" border="0"  src="https://freight.cargo.site/w/850/i/91038b20f3e1ed4c1a6b9c09ad3f6d4cc6f52accca9611bf899bb8f6db9a4bb5/router-KH-02-low.jpg" /&#62;
	&#60;img width="850" height="1277" width_o="850" height_o="1277" data-src="https://freight.cargo.site/t/original/i/ff52c97bf5677cbe522528e53460a761c4394382d111172f54e00656430ca4f1/lungs-KH-low.jpg" data-mid="236094800" border="0"  src="https://freight.cargo.site/w/850/i/ff52c97bf5677cbe522528e53460a761c4394382d111172f54e00656430ca4f1/lungs-KH-low.jpg" /&#62;
	

</description>
		
	</item>
		
		
	<item>
		<title>GOTT-IST-TOT</title>
				
		<link>https://aramisnavarro.com/GOTT-IST-TOT</link>

		<pubDate>Sun, 12 Nov 2023 13:08:56 +0000</pubDate>

		<dc:creator>Aramis Navarro</dc:creator>

		<guid isPermaLink="true">https://aramisnavarro.com/GOTT-IST-TOT</guid>

		<description>
	GOTT-IST-TOT
&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/a3d85e98a0d662fc91c8dec8d4e9d6241dd2d399f4c63ea534c3f72fa96f7a9f/IMG_6089.JPG" data-mid="232946102" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/a3d85e98a0d662fc91c8dec8d4e9d6241dd2d399f4c63ea534c3f72fa96f7a9f/IMG_6089.JPG" /&#62;


	GOTT-IST-TOT, 2023, 2-channel audio installation, 3'12"
aluminum, concrete, water, pigments, exciterA water-filled basin becomes a speaker, its surface in constant vibration. The installation breaks the reflection—literally and metaphorically—mirroring a spiritual void in the narcissistic self. The audio piece blends slang with spiritual explanations, creating a dissonant soundscape that amplifies inner emptiness and the paradox of a self stuck between surface change and internal inertia.︎ Link

&#60;img width="8064" height="6048" width_o="8064" height_o="6048" data-src="https://freight.cargo.site/t/original/i/14d66e92d30637ca3a31cf5edd57ca216b51d7b4939e3c209e64df079dd5c205/GOTT-IST-TOT_01-.jpg" data-mid="232945824" border="0"  src="https://freight.cargo.site/w/1000/i/14d66e92d30637ca3a31cf5edd57ca216b51d7b4939e3c209e64df079dd5c205/GOTT-IST-TOT_01-.jpg" /&#62;&#60;img width="968" height="726" width_o="968" height_o="726" data-src="https://freight.cargo.site/t/original/i/83058f2cde65ce3a300d476b35480ca99eb9d04d4f3afbd32d5cbf78e493a06c/cc_rockingwindshield_low.jpg" data-mid="232946365" border="0"  src="https://freight.cargo.site/w/968/i/83058f2cde65ce3a300d476b35480ca99eb9d04d4f3afbd32d5cbf78e493a06c/cc_rockingwindshield_low.jpg" /&#62;Aramis Navarro, «the bread of angels» Kulturfolger Zürich, exhibtion view, 2023

poem – solala panels

Lightboxes move through the city&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
like, light might
ignite space – a headspace&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Emotics erotics &#38;nbsp; &#38;nbsp; 
lightning mirrors voices
&#38;nbsp; &#38;nbsp; again and again
communication s’over&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
Sober
Moving through the city
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
Procession
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
towards a collective collection&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; collecting solitude
Exhibited In front of everyone&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
 Lightboxes &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
show me your face
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
where 
lessandless

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; is to be found


	&#60;img width="5951" height="7205" width_o="5951" height_o="7205" data-src="https://freight.cargo.site/t/original/i/3a34ae61deb835979a4ab6ba683975a10fb4f220f5cd9e51d5583e8034d77750/Narcissus-Caravaggio_1594-96-copy.jpg" data-mid="237198215" border="0"  src="https://freight.cargo.site/w/1000/i/3a34ae61deb835979a4ab6ba683975a10fb4f220f5cd9e51d5583e8034d77750/Narcissus-Caravaggio_1594-96-copy.jpg" /&#62;Caravaggio: Narcissus (ca. 1597–1599). Oil on canvas, Galleria Nazionale d’Arte Antica, Rome. Source: Wikimedia Commons, public domain.

	&#60;img width="2913" height="1942" width_o="2913" height_o="1942" data-src="https://freight.cargo.site/t/original/i/00d0a24b516b0f47cf0128a9af7569d9e58708814a815817f3e3bd29b8d40d64/GOTT-IST-TOT_detail.jpg" data-mid="232945825" border="0"  src="https://freight.cargo.site/w/1000/i/00d0a24b516b0f47cf0128a9af7569d9e58708814a815817f3e3bd29b8d40d64/GOTT-IST-TOT_detail.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>the tree of knowledge </title>
				
		<link>https://aramisnavarro.com/the-tree-of-knowledge</link>

		<pubDate>Tue, 14 Jul 2026 09:23:59 +0000</pubDate>

		<dc:creator>Aramis Navarro</dc:creator>

		<guid isPermaLink="true">https://aramisnavarro.com/the-tree-of-knowledge</guid>

		<description>
	untitled (the tree of knowledge)
&#60;img width="934" height="1363" width_o="934" height_o="1363" data-src="https://freight.cargo.site/t/original/i/ed4746f33d478ca16f31292abf855be2563b05d4e024e417df74268fc67c3722/Arbor-scientiae.png" data-mid="250395768" border="0"  src="https://freight.cargo.site/w/934/i/ed4746f33d478ca16f31292abf855be2563b05d4e024e417df74268fc67c3722/Arbor-scientiae.png" /&#62;Figure X. Arbor Scientiae (Tree of Science), woodcut from the 1505 Barcelona edition of Ramon Llull's Arbor Scientiae(original work composed c. 1295


&#60;img width="2338" height="1654" width_o="2338" height_o="1654" data-src="https://freight.cargo.site/t/original/i/4f2f4251a6aecefd64b2bf6d3cce12203934f07f60ec47bba693dc7a8b683749/BIBAL-16.jpeg" data-mid="250395767" border="0"  src="https://freight.cargo.site/w/1000/i/4f2f4251a6aecefd64b2bf6d3cce12203934f07f60ec47bba693dc7a8b683749/BIBAL-16.jpeg" /&#62;
	«the tree of knowledge &#38;amp; the bibliotheca alexandrina»&#38;nbsp;2026


The apples are rotting on the floor.


Nobody touched them.


Or everyone did and this is what touching looks like now.


sssssssssssss


Something is always about to bite.


Or already has.


The server rack hums the way the garden must have hummed before the hum became audible, before there was an ear trained enough to hear the difference between silence and the noise underneath silence.


And then they realized they were naked.


Not metaphorically. The exposure was material, was skin, was the sudden unbearable legibility of the body to itself. Knowledge as vulnerability. Knowing as the permanent end of not-knowing, which cannot be undone, which is the only truly irreversible transaction in the record.


We carry the tree in the pocket now.


We bite every morning before we are fully awake.


The apple is the feed, is the search, is the question typed at 3am into a system that has no stake in the answer.


ssssss


The cables run from the rack to the wall to the room to the building to the infrastructure beneath the city to the undersea cables to the data centers burning in the desert to the rare earth minerals pulled from the ground by hands we will never see.


The root system goes deep.


It always did.


We just stopped calling it that.


The K flickers.


Know.


Now.


The apples continue their work on the floor.


Patient, deliberate, accurate.


&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/4149e645e98c28ac5393bedb8da29ac27eb307a932aea98bb3a8166aa3238669/A_DSC7975_low.jpg" data-mid="250395641" border="0"  src="https://freight.cargo.site/w/1000/i/4149e645e98c28ac5393bedb8da29ac27eb307a932aea98bb3a8166aa3238669/A_DSC7975_low.jpg" /&#62;Aramis Navarro, «untitled (the tree of knowledge)», Ausstellungsansicht, 2025. Photo: Hiltibold, M. Rinderknecht.


&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/cef310663d577ac217bb6efca5fb1a24e209388bc96947d558d724f7c0eee897/_DSC7964_low.jpg" data-mid="250395640" border="0"  src="https://freight.cargo.site/w/1000/i/cef310663d577ac217bb6efca5fb1a24e209388bc96947d558d724f7c0eee897/_DSC7964_low.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ca14b11ef5b3452180aa65027afad24e6d2d901d47b283a81b152bb3ea9c1279/_DSC7940_low.jpg" data-mid="250395638" border="0"  src="https://freight.cargo.site/w/1000/i/ca14b11ef5b3452180aa65027afad24e6d2d901d47b283a81b152bb3ea9c1279/_DSC7940_low.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/93b5f12f58dee14f4b89a9b3b2b67d1c3022d7f2a7506ed6d65c489a7c737c11/_DSC7894_lowjpg.jpg" data-mid="250395645" border="0"  src="https://freight.cargo.site/w/1000/i/93b5f12f58dee14f4b89a9b3b2b67d1c3022d7f2a7506ed6d65c489a7c737c11/_DSC7894_lowjpg.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/670ce564f1ea5f2591e1b608be8b41f06ac03cf3e569b2376225f33948c1dcc8/_DSC7944_low.jpg" data-mid="250395639" border="0"  src="https://freight.cargo.site/w/1000/i/670ce564f1ea5f2591e1b608be8b41f06ac03cf3e569b2376225f33948c1dcc8/_DSC7944_low.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/4ed1e65007b0f1a38c843de71cd884e2adef1d611329bb4245928a34404985a1/_DSC7895_low.jpg" data-mid="250395644" border="0"  src="https://freight.cargo.site/w/1000/i/4ed1e65007b0f1a38c843de71cd884e2adef1d611329bb4245928a34404985a1/_DSC7895_low.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ffb333851cc72be55edd8904c7ba3362c8cb727904aae77cd3f209f76a7a74d0/_DSC7848_low.jpg" data-mid="250395642" border="0"  src="https://freight.cargo.site/w/1000/i/ffb333851cc72be55edd8904c7ba3362c8cb727904aae77cd3f209f76a7a74d0/_DSC7848_low.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Retibel</title>
				
		<link>https://aramisnavarro.com/Retibel</link>

		<pubDate>Thu, 04 Sep 2025 08:51:16 +0000</pubDate>

		<dc:creator>Aramis Navarro</dc:creator>

		<guid isPermaLink="true">https://aramisnavarro.com/Retibel</guid>

		<description>
	Retibel
	«Retibel» studies, 2025
Aluminum, Resin, Multiplex, Wood

Retibel is a series of works that takes the historical retable as a reference point and translates it into a digital altar. The works consist of flat panels with high-gloss black surfaces reminiscent of inactive displays. They remain empty and thus refer to a latent pictoriality that is not realized. 
While in religious tradition the retable was only opened on certain occasions, thus regulating access to images and narratives, the Retibel appears as its contemporary counterpart: an altar without revelation, whose sacred gesture lives on in its reference to the aesthetics of mobile devices. It marks a space of expectation in which screens themselves have become objects of worship and reflection.

&#60;img width="1815" height="2419" width_o="1815" height_o="2419" data-src="https://freight.cargo.site/t/original/i/b8ec56ae873bfeb27c7b99a04138cbd3c960edd44a5fec6fb619d2b32efb3d89/retibel_03_01-low.jpg" data-mid="238645399" border="0"  src="https://freight.cargo.site/w/1000/i/b8ec56ae873bfeb27c7b99a04138cbd3c960edd44a5fec6fb619d2b32efb3d89/retibel_03_01-low.jpg" /&#62;


&#60;img width="1815" height="2419" width_o="1815" height_o="2419" data-src="https://freight.cargo.site/t/original/i/3bb559be803bb3bd619d1bed57c5f22a493b64e112ab3a9c16fabb2e61ef5dcb/retibel_03_04-low.jpg" data-mid="237805250" border="0"  src="https://freight.cargo.site/w/1000/i/3bb559be803bb3bd619d1bed57c5f22a493b64e112ab3a9c16fabb2e61ef5dcb/retibel_03_04-low.jpg" /&#62;
&#60;img width="1656" height="2209" width_o="1656" height_o="2209" data-src="https://freight.cargo.site/t/original/i/7542ddaebad7d0e63981a91e3c89597ba331ecf273dab442b03079dc94f892ff/retibel_02_04-low.jpg" data-mid="237805253" border="0"  src="https://freight.cargo.site/w/1000/i/7542ddaebad7d0e63981a91e3c89597ba331ecf273dab442b03079dc94f892ff/retibel_02_04-low.jpg" /&#62;
&#60;img width="1063" height="744" width_o="1063" height_o="744" data-src="https://freight.cargo.site/t/original/i/2c15d3c3419247957c4613826c59434bd14977e4232b592a087877831c20c1be/Aramis-Navarro-26-low.jpg" data-mid="238419403" border="0"  src="https://freight.cargo.site/w/1000/i/2c15d3c3419247957c4613826c59434bd14977e4232b592a087877831c20c1be/Aramis-Navarro-26-low.jpg" /&#62;
&#60;img width="1815" height="2419" width_o="1815" height_o="2419" data-src="https://freight.cargo.site/t/original/i/b74c5dafb018420f736deb0036be0d7bcdb1a68606cffe8dac13ea41b8ef4a38/retibel_02_03-low.jpg" data-mid="237805254" border="0"  src="https://freight.cargo.site/w/1000/i/b74c5dafb018420f736deb0036be0d7bcdb1a68606cffe8dac13ea41b8ef4a38/retibel_02_03-low.jpg" /&#62;


</description>
		
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