GOTT-IST-TOT
GOTT-IST-TOT, 2023, 
2-channel audio installation, 3'12"
aluminum, concrete, water, pigments, exciter
A water-filled basin becomes a speaker, its surface in constant vibration. The installation breaks the reflection—literally and metaphorically—mirroring a spiritual void in the narcissistic self. The audio piece blends slang with spiritual explanations, creating a dissonant soundscape that amplifies inner emptiness and the paradox of a self stuck between surface change and internal inertia.
︎ Link
2-channel audio installation, 3'12"
aluminum, concrete, water, pigments, exciter
A water-filled basin becomes a speaker, its surface in constant vibration. The installation breaks the reflection—literally and metaphorically—mirroring a spiritual void in the narcissistic self. The audio piece blends slang with spiritual explanations, creating a dissonant soundscape that amplifies inner emptiness and the paradox of a self stuck between surface change and internal inertia.
︎ Link

 Aramis Navarro, «the bread of angels» Kulturfolger Zürich, exhibtion view, 2023
Aramis Navarro, «the bread of angels» Kulturfolger Zürich, exhibtion view, 2023poem – solala panels
Lightboxes move through the citylike, light might
ignite space – a headspace
Emotics erotics
lightning mirrors voices
again and again
communication s’over
Sober
Moving through the city
Procession
towards a collective collection
collecting solitude
Exhibited In front of everyone
Lightboxes
show me your face
where
lessandless
is to be found
 Caravaggio: Narcissus (ca. 1597–1599). Oil on canvas, Galleria Nazionale d’Arte Antica, Rome. Source: Wikimedia Commons, public domain.
Caravaggio: Narcissus (ca. 1597–1599). Oil on canvas, Galleria Nazionale d’Arte Antica, Rome. Source: Wikimedia Commons, public domain.