RHS
«RhizomesHyperSanctum» 2025
mixed media
RhizomesHyperSanctum is conceived as a tribute—a place of worship for the invisible architecture of cyberspace. Built from industrial aluminum scaffolding, the structure evokes a shrine where signals replace incense and routers stand in for relics. It’s a conceptual sanctuary for the systems that penetrates us, not spiritually but systemically.
The scaffold is skeletal, see-through—offering no shelter, only a frame. It stands for the hyper room: a networked zone we can’t touch, but that touches us constantly. Accessed not through the biological body but through the extensions of it. The installation gives form to a metaphysical condition: we live inside systems that we cannot see, but still believe in. The sanctum is not about faith in the divine, but about our quiet submission to the coded logics we’ve come to trust.
mixed media
RhizomesHyperSanctum is conceived as a tribute—a place of worship for the invisible architecture of cyberspace. Built from industrial aluminum scaffolding, the structure evokes a shrine where signals replace incense and routers stand in for relics. It’s a conceptual sanctuary for the systems that penetrates us, not spiritually but systemically.
The scaffold is skeletal, see-through—offering no shelter, only a frame. It stands for the hyper room: a networked zone we can’t touch, but that touches us constantly. Accessed not through the biological body but through the extensions of it. The installation gives form to a metaphysical condition: we live inside systems that we cannot see, but still believe in. The sanctum is not about faith in the divine, but about our quiet submission to the coded logics we’ve come to trust.
Aramis Navarro, «algorithmic-mega-death-superspell.exe», Ausstellungsansicht, 2025.
Photo: Kunst Halle Sankt Gallen, E. Sommer.