chimera’s flute
«chimera’s flute»
Three-channel video, 3'39"
The three-channel video work focuse on the hands of a flamenco dancer. Cropped, and split across monitors, the looped gestures without a full body, the choreography becomes symbolic. It’s no longer about dance, it’s about control.
The hand movements mirror the repetitive, directive logic of code—measured, intentional, without flourish. Split across three screens, the work stages a space that feels both distant and intimate,
a hyper-environment we enter through the surface of screens. Chimera’s Flute makes visible how algorithms guide attention, not through force, but through rhythm.
Three-channel video, 3'39"
The three-channel video work focuse on the hands of a flamenco dancer. Cropped, and split across monitors, the looped gestures without a full body, the choreography becomes symbolic. It’s no longer about dance, it’s about control.
The hand movements mirror the repetitive, directive logic of code—measured, intentional, without flourish. Split across three screens, the work stages a space that feels both distant and intimate,
a hyper-environment we enter through the surface of screens. Chimera’s Flute makes visible how algorithms guide attention, not through force, but through rhythm.
Filmstills
